about Ganjali Khan
Complex in Kerman province
Ganjali Khan was one of the famous rulers during the reign of
Shah Abbas. As the ruler of Kerman province he constructed many
monuments and buildings. Ganjali Khan complex is composed of a
school, a square, a caravanseray, a public bath, a water
reservoir, a mint house, a mosque and a bazaar. A number of
inscriptions laid inside the complex indicate the exact date
when these places have been built
Out of Ganjali Khan complex, the Khan public bath located in the grand bazaar of Kerman serves as an anthropology museum today and attracts an increasing number of Iranian and foreign tourists. This is a unique work of architecture with beautiful tile works, paintings, stuccos, and arches.
The bath rendered service no later than 60 years ago. In the
closet section and main yard of the bath there are many statues
which are unbelievably interesting. These statues were designed
at Tehran University`s faculty of fine arts in 1973 and then
transferred to this museum.
This complex has been built during the Safavid era (1499 - 1723
AD) enjoying a modern architectural style of the time. This bath
is an association of architecture and application of an array of
constructional materials in an appropriate space with totally
popular approaches. The architect of the bath and the complex is
a master from Yazd city named Mohammad Sultani
...YES! IRAN IS BEAUTIFUL
about Bisotun or Bisutun in kermanshah province
The Behistun Inscription (also Bisitun or Bisutun, Modern Persian) Old Persian: Bagastana, meaning "the god's place or land") is a multi-lingual inscription located on Mount Behistun in the Kermanshah Province of Iran, near the town of Jeyhounabad in western Iran.
The inscription includes three versions of the same text, written in three different cuneiform script languages: Old Persian, Elamite, and Babylonian. A British army officer, Henry Rawlinson, had the inscription transcribed in two parts, in 1835 and 1843. Rawlinson was able to translate the Old Persian cuneiform text in 1838, and the Elamite and Babylonian texts were translated by Rawlinson and others after 1843. Babylonian was a later form of Akkadian: both are Semitic languages. In effect, then, the inscription is to cuneiform what the Rosetta Stone is to Egyptian hieroglyphs: the document most crucial in the decipherment of a previously lost script
The inscription is approximately 15 metres high by 25 metres wide, and 100 metres up a limestone cliff from an ancient road connecting the capitals of Babylonia and Media (Babylon and Ecbatana). It is extremely inaccessible as the mountainside was removed to make the inscription more visible after its completion. The Old Persian text contains 414 lines in five columns; the Elamite text includes 593 lines in eight columns and the Babylonian text is in 112 lines. The inscription was illustrated by a life-sized bas-relief of Darius, holding a bow as a sign of kingship, with his left foot on the chest of a figure lying on his back before him. The prostrate figure is reputed to be the pretender Gaumata. Darius is attended to the left by two servants, and ten one-metre figures stand to the right, with hands tied and rope around their necks, representing conquered peoples. Faravahar floats above, giving his blessing to the king. One figure appears to have been added after the others were completed, as was (oddly enough) Darius' beard[citation needed], which is a separate block of stone attached with iron pins and lead. Bisotun is also one of the 80 treasures featured on Around the World in 80 Treasures presented by Dan Cruickshank
...YES! IRAN IS BEAUTIFUL |