About Chehel Sotoun in Esfahan province
(in IRAN)
This building -now a veritable museum of Persian painting and
ceramics -was a pleasure pavilion used for the king`s
entertainment`s and receptions
It stands inside a vast royal park, but relatively near the
enclosure, and was built by Shah Abbas II round an earlier
building erected by Shah Abbas I. An inscription states that the
decoration and frescoes were finished in 1647. Only two large
historical frescoes date from the later period of the Zand
dynasty. Unfortunately, the Chehel Sotun has been badly damaged
since then, especially when the Afghans occupied the town and
covered the paintings with a thick coat of whitewash. It is now
being extensively restored under the aegis of the Institute
Italiano Per il Medio Orient
The pavilion opens onto the gardens by means of an elegant
terrace, only a few steps high and supported by slender,
delicate wooden pillars. In reality, there were never more than
twenty columns, but they were reflected in the pool in the park,
and so the Persian liked to call the building the (pavilion with
forty columns) (besides, the number 40 had a symbolic meaning in
Persia and expressed respect and admiration). Two rows of
waterspouts and fountains in the shape of stone lions at the
four corners carried water to the huge, elegant rectangular
basin
The terrace is a marvel of elegance. The slender pillars support
a light wooden ceiling with wide fretwork louvers. Here we
should note the influence of Eastern Asian architecture. Part of
the sumptuous decoration has disappeared. We must picture the
back wall covered with mirrors, the doors of rare carved wood,
and the pillars, each cut from a single lane-tree trunk, with
their fine eneer, their brightly colored paintings, their
mirrors and studs of colored glass. We still have the remarkable
ceiling its beams, its covering, its painted wood louvers, and
its carefully lay-work-rosettes and suns, stars, stylized fruit
and foliage. The great wooden ceilings-a rare luxury in a
country so acking in trees-are among guarded by four lions which
support the central columns
The palace is called Chehel Sotun because of the number of the
columns of this monument. Each column is formed of a plain tree
on the skin of which a thin layer of colored board has been
fitted. This layer was formerly covered with colored pieces of
glass and mirror
All the walls used to be decorated with large mirrors and
colored peices of glass and beautiful paintings. Inlaid work was
a characteristic of all doors and windows. The pool in front of
the building is 110 meters long and 16 meters wide. Four stone
lions have been placed on the four sides of a pond in the center
of the hall from whose open mouths water streams down. And
finally the unique ceiling of the 18 column portico and the
mirror work on the ceiling of the hall are eyecatching. The
paintings demonstrating the parties held by Shah Abbas the
great, and reception of Mohammad Vali Khan, the king of
Turkistan, the war between Shah Ismail the first and the Ottoman
forces in Chaldoran, the reception party in honor of Homayun the
king of India and in the eastern section, in front of the
painting scene of Shah Abbas` war with the Uzbeks, is seen the
war waged by Nader Shah of Afshar dynasty against the Hindus in
Kornal